Jands Light Hamer Hall With ETC, Vari*Lite & Chroma-Q

The AUD$135.8 million redevelopment of Hamer Hall was part of a larger revitalisation project for Arts Centre Melbourne and the first step in the Southbank Cultural Precinct Redevelopment plan. The project was overseen by theatre consultants Schuler Shook, and designed by architects Ashton Raggatt McDougall.

The heritage listed Arts Centre Melbourne is the largest and busiest performing arts complex in the southern hemisphere; Hamer Hall is the concert hall within the centre. Home to the Melbourne Symphony Orchestra, Hamer Hall also hosts a wide variety of performance events throughout the year, from theatre to rock and roll.

Jands supplied much of the venue’s lighting including 20 Vari-Lite VLX’s, 28 ETC Desire D40 Vivid LED Pars, and over 50 ETC Source Fours.

Adrian Sterritt, head of lighting at the Melbourne venue, says his team chose the VLX Wash luminaires following a shoot-out between the Vari-Lite fixtures and other brands.

“We were looking for a number of aspects from the lighting fixtures; speed, quality of light, operation modes,” says Adrian. “The VLX Wash zoom was better, its quality of light was similar to what we were used to, and in terms of colours we wanted to produce, it was more suited to our desired colour palette. There was also an environmental aspect to the project so ‘green’ products were favourable.”

One of the key decision drivers for the Hamer Hall technical team when choosing lighting fixtures for their new venue was the ability of the VLX Wash to colour match with conventional luminaires as Sterritt reports, “Incoming LD’s love them. They have a lot of punch, especially with the saturated LED colours, however they also produce the more subtle pastel hues that we require in a theatre environment.”

The ETC Desire D40 Vivid LED Pars were chosen primarily for their colour range which according to Adrian more suits the theatre environment palette.

“It’s a bit more subtle with the pastel shades,” he added. “You can get a wider range of colours from them than your standard RGB fixtures which we felt were a bit too rock’n’roll. They’re good although we don’t use them all the time – when we go into full rock’n’roll mode we just use the VLX’s. For the more subtle work they’re great.”

Not only do the Desire D40 Vivid luminaires give Adrian the broadest colour range for spectrally-balanced saturated and tinted light, they feature no-noise, fan-free convection-cooling for acoustically sensitive installations such as Hamer Hall.

The ETC Source Fours supplemented the stock already owned by the Arts Centre.

“The ETC Source Four is a standard tool in performance and architectural use across the globe,” remarked Adrian. “They have a wide range of useful accessories and lenses plus they are very reliable.”

Ten Chroma-Q Color Force 72 LED battens were installed to ensure smooth and even coverage across large areas. With their smooth washing effect, even colour mixing, and lack of hotspots, the Chroma-Q Color Force 72 LED battens are ideal for multiple types of applications, ranging from subtle hues for theatre and opera lighting to vibrant effects for live events.

 

For more information on ETC, Vari*Lite and Chroma-Q products visit www.jands.com.au or contact:

NEWS: Key Seminar & Exhibitor Profiles for ENTECH

Pre – registrations are open for ENTECH! We are already seeing hundreds of industry professionals registering for the first calender show in the industry for 2013!!

ENTECH is Australia’s Live Technology & Installation show, putting you in front of the latest technologies from leading manufacturers and distributors in Australia. ENTECH will be hosted across three days, with over 40 seminar sessions for you to attend.

With international and national industry experts presenting topics, ranging from Audio, Vision, Integration to Lighting Rigging & Staging plus, we are bringing back manufacturers sessions.

Register Now, as you will automatically go into the exclusive prize draw to win either an Audio & Integration tour or a Lighting tour of the Sydney Opera House! This is a once in a life time opportunity to go back stage in one of the world’s most iconic venues!

Register HERE

the ‘fungibility of found sound’

Fungibility – From the Latin word “fungibilis” meaning to ‘serving in place of’. We explore how the capturing of sound in our everyday environments can be transformed into evocative, dramatically involving new sound worlds. Using the simplest of tools, the workshop celebrates the analogue techniques and inspired imaginations of sound gurus like Ben Burtt (Star Wars) Walter Murch (Apocalypse Now) and Alan Splet (Eraserhead).

Speaker: Kingsley Reeve, Sonic Australis

Audience: Sound designers, engineers, studio owners, music producers, owners of personal and project studios and students of music and recording technologies.

Fundamentals of Audio Equalization

The expertise of a sound engineer is required in the fields of film, television, radio, theatre, and corporate functions and of course in music. Equalization is one of the fundamental tools audio engineers have at their disposal, yet it is frequently misunderstood and misused. This seminar will provide an introduction to equalization, and help you understand how to use equalization effectively and apply it to virtually any situation.

Speaker: Michael Carpenter, JMC Academy

Audience: This seminar is an entry-level overview of Audio Equalization, but a basic knowledge of sound engineering is necessary.

Amber Technology

Amber Technology is returning to ENTECH for the first time in 5 years, much to the delight of the ENTECH team.

Visitors to the Amber Technology stand will get the opportunity to see firsthand a number of new brands such as Vue Audiotechnik & Van Damme which join our established brands such as Radial Engineering, TC Electronic, DPA Microphones, Solid State Logic, Neutrik, Canare, Cordial and Gefen.

Meyer Sound Australia

International Manufacturer, Meyer Sound, is the latest company to have chosen ENTECH to showcase their latest products at in 2013.

ENTECH will be the Australian launch platform of Meyer Sound’s latest introduction, the Galileo Callisto. This is their newest loudspeaker management system for calibrating line array systems and will be shown along with the new 1100-LFC low-frequency control element.

design quintessence

Design Quintessence is one of Australias leading suppliers of staging equipment including truss, portable staging, lifting quipment and road cases.

Leading Brand names like Global Truss, VMB and Encore will be featured on the Design Quintessence island stand A14, located in Hall 5.

pwb Anchor

Returning to ENTECH is PWB Anchor who will be located in Hall 5 on stand D15.

Operating from Bundoora, Australia and recognised world-wide for the manufacture and distribution of premium quality lifting equipment for nearly 90 years, PWB Anchor Limited boasts a proud history of association with prominent and successful corporations in Australia and Overseas.

riggers forum:
one day pass for only $135.00

The Riggers Forum has been specially designed to examine and debate the use of newly devised products, industry practices and to review the process of standardisation. Whether a rigging practitioner, production manager or policy maker – everyone is invited to learn more about what makes the industry stay up and stay safe.

Common Practice – Exploring the practical realities of rigging rather than the regulatory aspects

Overview of session:

The panel will present some of the common techniques and policies that are in the world of rigging 2013 style, including load monitoring. There are new pieces of equipment, new regulations, and new “best practices” that are now part of our world. It is not enough to say “I always did”, you now also need to say “and so does the rest of the world”.

Speaker (s): Bill Sapsis, Sapsis Rigging, USA Nick Barnfield, ShowQuip NZ Tiny Good, Showtech (OZ)

Audience: Rigging professionals

NEWS – Robe launches new products at Prolight+Sound

The Robin Pointe

This is a new hugely dynamic beam, spot and wash fixture from Robe – a small, super-bright and very fast ‘signature’ unit with an intense and sharp parallel beam …. plus a host of features making it a truly unique and versatile lightsource.

These include a 5 – 20 degree zoom with full focus control, variable frost, two separate prism effects, a rotating and a static gobo wheel and inbuilt colour wheel.

The lightsource is a 280W Osram discharge lamp making the Pointe a dynamic, fixture for using to create WOW factors on a large and small scale whilst also embracing Robe’s ‘smaller, lighter, brighter’ and more eco-friendly philosophy.

Special characteristics include phenomenal speed and an impressive list of additional creative features like the zoom, linear and circular rotating prisms, rotating and static gobo wheels … all of which set it above the rest!

A custom developed homogeniser works with the rotating gobos to spread the light evenly and achieve optimum projection quality. A variable frost effect instantly transforms the output into that of an efficient wash light.

Robe gets to The Pointe in delivering a robustly built, reliable fixture weighing just 15. 2 Kgs to meet LD’s wish-lists!

Robin MiniMe

Bar, club and retail lighting has taken another step into the digital future. The MiniMe is an effects lighting luminaire with the addition of full video output.

This small, neat, fast moving fixture is LED driven with 20,000hour lifetime source.

Colours, Gobos and beam shapes are all digitally generated by the on-board micro media server.  Custom artwork, still photographs and video can also be simply uploaded for projection, whilst live video can be streamed through the HDMI input.

Robin MMX BLADE

Robe presents an amazingly bright 1200-series equivalent lightsource utilising its popular MMX optical technology, complete with a framing shutter system of four fast ‘blades’ which can be individually positioned and angled plus or minus 45 degrees, with the whole Blade module capable of plus / minus 90 degree rotation.

This allows precise shaping and fine-spotting of specific areas on a stage, set or performer. This is a crucial feature for all types of theatre and television productions.

The Blade system can also produce fast, funky aerial effects by being programmed into quick-movement chases and sequences.

An animation wheel enables the projection of dramatic fire, water, flame and other theatrical / environmental effects.

It has further innovative ROBIN technology features like hot-spot control, rotating gobos, CMY colour mixing, variable CTO, iris, rotating prism, etc.

Robin CycFX

This is a one metre linear strip that can be tilted 270 degree featuring an array of high powered RGBW LEDs for fabulously smooth colour mixing, with a zoom option that opens the spread out from 8 to a whopping 53 degrees!

The ultra-fast, motorized tilt movement allows the creation of spectacular ‘wave’ effects along a line of fixtures.

Individual control of each LED makes the fixture map-able, and enables multiple CycFXs to be built in to a variety of matrix designs.

The unit is supplied with many inbuilt pixel effects and pre-programmed sequences.

Pre-selected Colour Macros also help to make it an exceptionally quick and easy unit to set up and integrate into any lightshow.

Integrated tungsten whites are set at 2700 and 3200K and the CycFX comes complete with Robe’s popular tungsten emulation, including theatrical grade dimming and red-shift effect.

Wireless control is an optional accessory.

Robin Cyclone

This innovative effects moving head product has an integrated fan in the centre of the head surrounded by a ring of 24 x high powered RGBW multichip LEDs.

There is a zoom of 8 to 63 degrees on the LEDs .. and a strong central airflow that can be combined with fog and haze to assist with creating the best quality atmospheric effects.

The vari-speed fan can be independently DMX controlled … starting from a very low RPM and is a perfect complement to fog and hazers in any ‘live’ environment – from clubs to concerts  – needing fine-tuned fog / haze flows, from a mere wisp of smoke to a full-on immersive low cloud coverage!

Each LED is individually controlled and can be pixel mapped for the creation of eye-catching colour, rainbow, strobe etc. effects.

The Cyclone is also perfect for lighting and cooling performers from a neat ‘footlights’ position and can also produce dramatic ‘hair-blowing’ and ‘smoke-through-the-fan’ effects.

The unit also benefits from all the features from Robe’s massively popular LEDWash series.

Some Robe demo videos.

More information available at Robe

Qu the New Allen & Heath Console

Well Allen & Heath have launched their digital console and it certainly does look great. But is this in response to the latest Beheringer X-32 and Pre-Sonus. Only time will tell. Thelow cost end of digital consoles is certainly livening up, so who is going to be the next to offer a feature filled, low cost console into the market place? The estimated cost in the UK  £1699 ex VAT, with it being released around May. As you will see from the video below that this looks an exciting console to use and the market is definately ready for another great desk from A&H. It does mean we are going to see more and mopre digital consoles in the smaller venues and theatres that previously could not justify the expense.

Great features include the colour touch screen motorised faders and totally recallable settings. All this coming from a reputable maker that has been around since adam was in short pants. I think this is the game changer in the fact that they are going up against Behringer. But let us wait and see.

Below are the specs that I found out about so far.

16 mono inputs TRS and XLR

3 stereo inputs TRS

4 stereo effects returns

16 bus 12 Mix outputs (left / right, mono mix 1-4, 1-3 stereo mix)

4 stereo effects processors with reverb, delay, modulation, flangers …

AES digital output Analogue preamp with callback 17 motorized faders ALPS Multitrack recording and playback supports direct USB (W-Drive)

800 x 480 touchscreen and dedicated encoder ILive effect bank with new effects provided via firmware updates

Port dSNAKE Multicore ARM processor

Compatible with the personal monitoring ME

Compatible with iPad app Qu-Pad

Integrated USB audio interface compatible with Mac only (Core Audio)

MIDI DAW Controller (USB)

Ethernet port supports MIDI (driver available)

4 mute groups

Trim controls, phase, HPF, gate, insert, 4 band parametric equalizer, compressor and delay on all inputs

Insert graphic equalizer 1/3 octave, compressor and delay on the outputs LR and Mono Mix

Signal generator integrated

Peak indicator with Band RTA

24-bit audio converters

Save and recall snapshots (scenes) with 100 memory slots

Steel structure rack

Fireproof

House curtain on fire

There was a recent fire at a New Zealand Theatre and according to the News the fire was caused by curtains on stage catching light. This has me thinking about fire proofing and how much of the soft fabrics that we use in theatre are safe. Often you will find that theatre curtains from reputable companies like Jands have been fireretarded. But have you recently checked all your drapes etc that you are using. Do they have a tag on them stating that they have been treated, to what standard and what date they were treated?  All drapes in places of public entertainment must comply with Building Code Australia (BCA) Specification C1.10. It’s your responsibility to ensure your drapes meet these specifications. For theatrical drapes, current BCA Regulations require compliance with AS 1530 Part 3 (pertaining to spread of flame and smoke developed indices) and  compliance with AS 1530 Part 2 pertaining to the flammability index. Please note that fabrics used for non-curtain wall treatments now require compliance with other standards.
As we know in the industry there is a god chance that drapes may come into contact with items with high temperatures – lights, smoke machines etc., So you have to take precautions with your drapes.

So what should you look for when purchasing drapes for your venue. You need to make sure the are fire retarded,There are several different fire retarding options out there and these are:

• NFR: Not Flame Retarded
• FR: Flame Retarded
• NDFR: Non-durable Flame Retarded
• DFR: Durable Flame Retarded
• IFR: Inherently Flame Retarded

So all venue drapes should have clear labelling indicating what category of flame retardation has been applied, and what regulatory standards have been met by the use of flame retardant.

Now lets us look at these 5 types of flame retarding.
NFR – this means there is no flame resisting properties at all. Therefore not good for theatre.

FR – this indicates that the fabric is to some extent flame retardant. This could be achieved by applying chemicals during its manufacturing process. But this fabric is most likely not going to be flame retardant for its life. You are going to need to re-apply the chemical many times during the life of the material. This frequency could be around once a year.
NDFR – again it means that the fabric has been treated with chemicals. However these chemicals can be removed by getting the material wet or washing it. They can be dry-cleaned however.
DFR – fabrics with this rating offer retardation for the life of the fabric.. There are conditions that might affect this so regular testing is a good idea for these fabrics.
IFR – this type of fabric has fibres that are inherently resist the effects of fire.This is instead of being a chemical retardation process. These are great fabrics to use in the theatre environment. Especially close to lanterns or other heat sources ( Stage manager’s maybe)

Now note that these fabrics are not fireproof but fire retarded. That means they will burn, but not immediately. The slower the burn the more time to evacuate and bring the fire under control compare to fabrics that have no flame resisting properties.

So checking you fire-retardant status should become part of your regular maintenance routine. If you have no tags on your fabric that states the standard and compliance it is best to assume they are not protected and you should do something as soon as possible.

When you think about it, you should look at the venue as whole in regards to fire-proofing. Is the set fireproofed? Are the staging units fire-proofed? How about the costumes? THere is so much that at times needs looking at in regards to fire safety. I will be writing more on the topic.

NEWS – LSC at Pro Light & Sound Frankfurt

LSC Lighting Systems will have the latest Clarity LX consoles out in force at this year’s Pro Light and Sound show in Frankfurt Germany with consoles on show on both the LMP Lichttechnik booth (11.0, B60) and Pro Systems Group booth (11.0, B44).

Although having already been in the market for the several months, this is actually the first international trade event in Europe where the LX600 and LX900 will be seen.

These consoles, as well as the LX300 feature version 2 of the Clarity software which is now common across all Clarity products including the PC and Mac software.
Notable improvements in version 2 are:
• Revised graphics on the touch screens for even easier operation;
• Rig View – a topographical view with 2D simulation and fixture selection;
• Audio fixture – Control audio with fade times and mode control;
• Reworked fixture library for better control of non-linear compound fixtures (eg. Mac Aura, Robe LEDwash, ClayPaky A-LEDa, etc);
• OSC protocol for remote control via Android and iPhone/iPad.

Also on the LMP booth, customers will be able to see and play with Clarity V2 software and VX-Wings, the MDR DMX Splitter range with optional RDM, the NEXUS product family offering bi-directional Ethernet/DMX512 converters and the Redback Wallmount dimming solutions.

Gary Pritchard, Pete Floyd and Richie Mickan from LSC will be in attendance.

More info HERE

NEWS – ENTECH EXPANDS INDUSTRY SEMINAR PROGRAM

Two headline speakers have confirmed their participation in the Seminar Program at ENTECH 2013, adding to the already busy program scheduled for 23 – 25 July at SCEC. Register Now!
Establishing itself as THE Live Technology & Installation show in Australia, which forms part of the ‘Australian Entertainment Technology Week’, ENTECH is proud to confirm the addition of two more key industry players to the schedule.
Adding to the international profile of the event, leading audio designer Scott Willsallen from Auditoria will be presenting a keynote on ‘Sound Design for the World’s Largest Events’. Using the London 2012 Olympic and Paralympic Games as a case study, the session will step through the various elements of sound design for major international events. An overview of the process, roles and responsibilities will be presented followed by a detailed presentation of some more specific topics to be chosen by the audience on the day.
Large venues and public spaces are Scott’s specialty due to his extensive experience and understanding of the audience expectation of sound in large spaces. Scott’s design approach is a balance of scientific processes learnt during his studies and vast experience. Anyone interested in Sound Design will benefit from attending this session, as Scott welcomes audience interaction to ensure they get the most out of the presentation.
Ramus Illumination Director, Bruce Ramus, also joins the program as a keynote speaker. In his presentation, ‘Lighting Design and Digital Media – Making the Connection’ Bruce has designed and directed international live shows and events for 30 years, and will present and discuss his works; from U2 through to his present day architectural works, focusing on how digital media has become an integral part of lighting in the entertainment industry, and is now becoming widely used in the public realm and built environment. He will discuss how this trend can create either a positive or negative outcome for our communities.
Bruce describes his work as being about connection. He designs installations as luminous interactive sculptures, both permanent and temporary, practical and playful. His personal perspective on the development of his profession will be a must attend session for anyone interested in lighting design.

About Scott Willsallen,
Auditoria

Scott is a leading expert in audio design for major international and outdoor events.

His design credits include the London 2012 and Athens 2004 Olympic Games Ceremonies, Melbourne 2006 and Delhi 2010 Commonwealth Games Ceremonies, 2006 Doha Asian Games Ceremonies, 2008 World Youth Day, Singapore 2010 Youth Olympic Ceremonies, 2003 and 2011 Rugby World Cup Ceremonies, 2011 Arab Games Ceremonies, and the 2005 and 2010 Australian tours of the Edinburgh Military Tattoo.

About Bruce Ramus,
Ramus Illumination

Bruce has extensive experience in creating and producing advanced media experiences for theatrical, televisual, public art and architectural environments.  He has designed and directed international live shows and events for 30 years, including U2, R.E.M., David Bowie, Bryan Adams, David Byrne, James Brown and television shows including the Academy Awards, Grammy Awards, MTV Awards and Super Bowl Halftime Shows.

More recently he has installed large-scale projections on the Sydney Opera House, and the ‘Light Hearts’ pyramid of light installation in Federation Square, Melbourne. He has also created visual concepts for Darling Quarter and in Brisbane’s Queen Street Mall.

NEWS – More Goodness at the Frankfurt Prolight + Sound 2013

Philips Vari-Lite to Display New VLX Colours and Three New 1500W Luminaires at Prolight + Sound 2013

Germany – Philips Vari-Lite is offering visitors to Prolight + Sound Frankfurt the opportunity to experience first hand the creative potential of the extremely bright output new VL3015, VL3015LT and VL3515 luminaries.

Also on show will be the newly released software for the popular VLX Wash luminaire. This enables individual cell control of the seven powerful 120-watt RGBW LED light engines inside. Sparked by the success seen in the VLX3 Wash, the software update is applicable for all existing VLX fixtures and now gives lighting designers the creative freedom to deliver stunning multi-coloured effects with unique output capabilities, easily programmed from any lighting controller.

“Lighting designers really loved the individual LED cell control feature of the new VLX3 Wash and began asking for it to be available in the original VLX Wash,” explains Brad Schiller, product marketing manager for Philips Vari-Lite. “The new software means designers can use all seven light engines as one, or operate each one independently. This enables users to create a plethora of dynamic chases and exciting looks, both on the front of the fixture and in the aerial beams.

“In addition we’re delighted to be exhibiting our new VL3015, VL3015LT and VL3515 luminaires, which deliver a great range of professional lighting products to designers and specifiers featuring all the creative tools they are looking for,” continues Schiller.

The VL3015LT Spot luminaire provides an unprecedented 42,000 lumens of output and also offers an unmatched 10:1 zoom optics system. It comes complete with CYM colour mixing, a variable CTO wheel, two five-position colour wheels, three gobo/effects wheels, a beam size iris, a separate dimmer, ultra-fast strobe mechanisms and a standard palette of gobos, effects and colours.

In addition the VL3015LT Spot contains an independent rotating and indexing 3-facet prism as well as an independent frost glass. The zoom range of 6° to 60° allows for use in a multitude of applications from stadiums to theatres and an optional handle attachment allows the fixture to be used as manually positioned followspot while retaining DMX control of all other functions.

Also using the double-ended Osram 1500W lamp, the VL3015 and VL3515 Spot luminaires feature a 6:1 zoom optics system along with CYM colour mixing, a six-position colour wheel, variable CTO colour temperature correction, gobo/effects wheels, and ultra-fast strobe mechanisms.

“The VL3515 Spot luminaire has an added feature of a four-blade shutter mechanism that allows the blades to be operated independently or in unison for a clear and crisp image,” continues Schiller. “Both luminaires also house standard dual reflectors that allow users to choose between either a peaked or flat field beam. In the peaked beam, the fixtures provide 27,000 lumens of output, and in the flat field beam they both provide an output of 22,000 lumens. The reflectors are easily changed, and whichever one is not chosen rides securely inside the luminaire on a specially designed mount.”

“The new VLX software and the ultra-bright VL3015LT are definite game changers, that will easily enhance the multifarious types of productions that happen worldwide,” concludes Schiller. “We are really looking forward to showing them off to the visitors at Prolight + Sound, which is held at the Messe exhibition centre in Frankfurt from 10-13 April. You can find us in Hall 11 on stand no D73.”

Philips Showline to Exhibit High Output New Luminaires at Prolight + Sound 2013  

  Germany – Frankfurt Prolight + Sound will see Philips Entertainment lighting’s recently-launched brand, Showline, exhibit five of its powerful, already in demand, new luminaires designed specifically for the entertainment and touring market.

The vibrant range of luminaires can be found in Hall 11, Stand D73 and includes Philips Showline’s 4-foot SL BAR 640 and 6-foot SL BAR 660 linear wash luminaires. Both deliver exceptional light output and can be used as a wash or as a direct-view linear bar.

Joining them will be the SL BAR 520 – a two-foot RGBW linear wash luminaire that produces over 8000 lumens of output with six standard 8° lenses. In addition high-resolution pixel mapping control and a unique locking system allows for quick connecting of multiple units both vertically and horizontally while retaining perfectly even pixel pitch.

Also on stand the SL PAR 150 ZOOM – an LED Par with a manually adjusted beam angle of 15°-70° and utilising nine homogenised RGBW LEDs to produce over 3200 lumens of output. It features a dual-purpose yoke that can be used to hang the fixture or as a versatile floor stand.

Launching at Prolight+ Sound, the extra rugged, compact, 4-in-1 RGBW LED SL BAND 310, offers exceptional light output and incredible colour definition at a stunningly bright 2400 lumens of output and 23° beam angle. The blended colour output ensures smooth colour mixing whether projecting on a surface or illuminating an audience. The compact size utilises an internal power supply, so no external supplies or cables are required.

All of these Showline luminaires feature Harmonise Color Calibration, intuitive LCD menu system, stand-alone abilities, RDM capabilities and other standard features. Additionally a totally new Showline product with unprecedented output and capabilities will be revealed at the Prolight + Sound show.

“Showline is an exciting addition to the Philips family,” said Brad Schiller, Showline product marketing manager. “In the development of the complete product family, we have taken our time to ensure that all Showline products integrate into a seamless package of useful and reliable LED luminaires. For example, all Showline products utilise homogenised RGBW LEDs, built in effects, colour calibration, and many more features never before offered on LED luminaires. So whether used in wash or a direct-view application, Showline luminaires will add to any production.”

Prolight + Sound will be taking place at the Messe exhibition centre in Frankfurt from 10-13 April in Hall 11, stand no D73.